عبدالمطلب عبداله رهیافت انقلاب اسلامی 2980-9118 19 71 2025 08 23 The Reflection of Shi‘i Epic Literature in the Islamic Revolution: A Comparative Study of Ibn Hessam Khosafi and Tahereh Saffarzadeh بازتاب ادبیات حماسی شیعی در انقلاب اسلامی: بررسی موردی ابن حسام و طاهره صفار زاده 177 202 232064 FA فرزانه دستمرد استادیار گروه زبان و ادبیات فارسی، دانشگاه پیام نور، تهران، ایران(نویسنده مسئول). فتانه رستمی استادیار،گروه زبان و ادبیات فارسی، واحد کرمانشاه، دانشگاه آزاد اسلامی، کرمانشاه، ایران توران رزمجو استادیار گروه زبان و ادبیات فارسی، دانشگاه پیام نور، تهران، ایران. Journal Article 2024 12 05 This article explores the reflection and transformation of Shi‘i epic literature in the context of the Islamic Revolution of Iran, focusing on the works of Ibn Hessam Khosafi (15th century) and Tahereh Saffarzadeh (20th century). It examines how religious-mythical narratives of martyrdom, justice, and resistance, rooted in the Karbala paradigm, evolved from classical Persian poetry to revolutionary discourse. Using an analytical-comparative method, the study investigates thematic continuity and aesthetic transformation between medieval Shi‘i epic verse and contemporary revolutionary poetry. Findings indicate that while Ibn Hessam’s Khavaran-nama integrates the heroic ethos of Imam Ali and his descendants within a mystical-epic framework, Saffarzadeh’s poetry reinterprets the same archetypes as metaphors for political awakening and anti-imperialist struggle. Both poets employ the Ashura narrative as a symbolic structure that fuses spirituality with socio-political commitment. The research concludes that Shi‘i epic literature not only shaped the cultural consciousness of the Islamic Revolution but also provided a theological and aesthetic language for resistance, martyrdom, and eschatological hope. Introduction The Islamic Revolution of Iran (1979) was not only a political transformation but also a cultural and symbolic upheaval deeply rooted in Shi‘i religious imagination. Among the most powerful sources of revolutionary discourse was the heritage of Shi‘i epic literature, which had for centuries sustained collective memory through narratives of sacrifice, divine justice, and resistance against oppression. This study examines the continuity and reconfiguration of that tradition by comparing Ibn Hessam Khosafi’s Khavaran-nama—a Persian Shi‘i epic from the Timurid period—with the revolutionary poetry of Tahereh Saffarzadeh, one of the most prominent intellectual poets of post-1960s Iran. The key research question asks: How did the Shi‘i epic tradition, as embodied in classical poetry, re-emerge in the literary and ideological discourse of the Islamic Revolution? By analyzing thematic and symbolic patterns across two temporal contexts, the article reveals how literature functions as a cultural bridge between theological myth and socio-political action. Materials and Methods This study employs a comparative analytical method combining literary hermeneutics, religious semiotics, and discourse analysis. The primary corpus includes Ibn Hessam’s Khavaran-nama, a Persian epic depicting the heroic battles of Imam Ali and his companions, and selected poems from Tahereh Saffarzadeh’s collections The Red Shroud, The Message of the Soil, and Revelation. The analysis proceeds in three stages: 1. Thematic identification – tracing motifs of martyrdom, divine justice, and eschatological victory; 2. Structural analysis – examining narrative form, diction, and use of Quranic and Ashura imagery; 3. Discursive interpretation – situating the works within their respective socio-political contexts. Ibn Hessam’s epic, written in the 15th century, belongs to a period when Shi‘ism was marginalized within Persian literary canon, yet it elevated the ahl al-bayt as archetypal warriors of faith. In contrast, Saffarzadeh’s modernist poetry, emerging during Iran’s struggle against Western domination and internal tyranny, revives the same motifs through a new semiotics of resistance, combining modernist aesthetics with Qur’anic allegory. The study also draws upon theoretical frameworks of mythic archetypes (Eliade, Frye) and Shi‘i symbolism (Shariati, Motahhari) to elucidate how sacred narrative transforms into political discourse. Discussion The findings reveal a profound continuity between classical and modern Shi‘i epic expression, despite differences in form and historical setting. 1. Epic Continuity and Transformation: Ibn Hessam’s Khavaran-nama constructs a mytho-historical cosmos where divine justice is realized through heroic struggle. His Imam Ali is not merely a historical figure but a cosmic hero who embodies both mystical perfection and moral resistance. Through allegory and hyperbole, Ibn Hessam creates a Shi‘i alternative to the Shahnameh tradition, replacing mythic kingship with sacred leadership (imamate). 2. In contrast, Saffarzadeh’s poetry transforms the same archetype into a voice of revolutionary conscience. Her language, condensed and prophetic, merges Qur’anic revelation with contemporary political urgency. The Imam, in her verse, becomes a timeless symbol of rebellion against injustice—transcending historical time and national boundaries. 2. Martyrdom and Aesthetic of Resistance: Both poets use the Karbala paradigm as a narrative matrix. In Khavaran-nama, martyrdom signifies transcendence; the warrior achieves spiritual victory through sacrifice. In Saffarzadeh’s poetry, martyrdom is politicized as a form of active resistance, the ultimate act of moral defiance. Her verse echoes the revolutionary reinterpretation of Ashura by thinkers such as Ali Shariati and Morteza Motahhari, turning tragedy into a mobilizing myth. 3. Language and Symbolism: Ibn Hessam’s epic follows classical Persian diction with abundant Arabic religious terminology, creating a sacred poetic register. Saffarzadeh, while modernist in style, employs a similar symbolic lexicon—blood, light, the sword, and the covenant—infused with Qur’anic rhythm. Both poets rely on ta’wil (spiritual interpretation) to elevate historical events into universal metaphors. 4. Literature as Cultural Mediation: The study demonstrates that Shi‘i epic literature served as a cultural continuum that transmitted ethical values—justice, sacrifice, and divine leadership—into Iran’s revolutionary ideology. By preserving and renewing symbolic language, poets like Ibn Hessam and Saffarzadeh linked collective memory to contemporary mobilization. Furthermore, while Ibn Hessam wrote in an era of political disempowerment, Saffarzadeh composed within a climate of awakening; yet both articulate hope through struggle. Their works embody what can be called a “sacralized humanism,” where divine mission and human freedom converge. This transformation of Shi‘i epic from mythic narration to revolutionary discourse underscores the dynamism of Iranian literary-religious tradition. Conclusion The comparative analysis of Ibn Hessam Khosafi and Tahereh Saffarzadeh reveals that Shi‘i epic literature functions as both a theological framework and a political language of resistance. Across centuries, it has provided the moral grammar of defiance against tyranny—transforming historical grief into collective action. Ibn Hessam’s Khavaran-nama offers an early Shi‘i epic worldview where divine justice is achieved through spiritual valor and devotion to the ahl al-bayt. Saffarzadeh, revitalizing the same tradition in modern verse, redefines epic heroism as moral agency and revolutionary faith. Through this continuity, the Islamic Revolution inherited not only political ideals but also an aesthetic of resistance grounded in sacred narrative. In broader terms, Shi‘i epic literature illustrates how religious mythology evolves into cultural praxis. By merging devotion and dissent, it reaffirms that poetry in the Shi‘i tradition is not merely artistic expression but a form of ethical testimony. Thus, the literary legacy of Ibn Hessam and Saffarzadeh stands as a testament to the enduring vitality of Shi‘i thought—where the sword of words defends justice as powerfully as the sword of battle. این پژوهش با هدف بررسی تطبیقی بازتاب ادبیات حماسی شیعی در آثار ابن‌حسام خوسَفی و طاهره صفارزاده انجام شده است. پرسش اصلی تحقیق آن است که این دو شاعر چگونه مفاهیم کلیدی عاشورا، شهادت، انتظار، ظلم‌ستیزی و مهدویت را در قالب‌های شعری خود بازتاب داده و به چه نحو کارکرد اجتماعی شعر حماسی شیعی را در زمینه‌های تاریخی متفاوت بازتعریف کرده‌اند؟ فرضیه پژوهش آن است که ابن‌حسام خوسَفی از منظری سنتی و مبتنی بر روایت‌های مقدس، ادبیات حماسی را در خدمت تقویت حافظه تاریخی–مذهبی به‌کار گرفته، در حالی‌که طاهره صفارزاده با رویکردی نوگرا و انقلابی، شعر را به رسانه‌ای برای کنش سیاسی، بیداری اجتماعی و ساخت گفتمان مقاومت بدل کرده است. روش تحقیق، تحلیل محتوای تطبیقی بر مبنای متون شعری و منابع ثانویه معتبر است. یافته‌ها نشان می‌دهند که تفاوت در زمانه، جنسیت، تجربه زیسته و مخاطب، موجب تحول در زبان، ساختار، کارکرد اجتماعی و گفتمان شعری این دو شاعر شده است. این تحقیق همچنین نشان می‌دهد که شعر حماسی شیعی نه‌تنها سنت‌ساز، بلکه سنت‌گریز نیز می‌تواند باشد؛ بسته به زمینه‌های تاریخی و اهداف شاعر.

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